Steven The Extraordinary Dinosaur

I'm getting more and more used to teaching college students at The School of the Art Institute, but last Friday I got to try something new for me - working with second graders. 826CHI is the local chapter of 826 National, an organization that works with students age 6 to 18 to improve and inspire their writing. One activity is the Field Trip, where a class comes to 826CHI and writes a story together, guided by volunteers. While one volunteer leads as the storyteller, another acts as the illustrator, creating two drawings the students can see on an overhead projector. After writing a few pages together, students each write the next page of the story, which is then bound in a little book along with a blank page to add their own drawing. This is one of the drawings I made of Steven the Extraordinary Dinosaur, who likes to wear underwear on his head and sells chocolate and underwear door to door with his talking rocket Rocky.

Darth Vader and son in Diamond now

I'm home from the Sundance FIlm Festival, where Save The Date premiered to a largely positive response. Hopefully everyone else will be able to see the movie soon, but until then you can get ready for Darth Vader and son, which will be out in May and is currently available to pre-order in the Diamond Comics Catalogue (you can also ask your local comic shop to make sure and order you a copy). Here's some pencil sketches from the process of designing the book's cover - trying out slight variations of where Luke and Vader are looking, as well as their positioning. I think I drew about eight pencil versions in all, and fully inked and colored three or four of those. In the end, of course, we ended up using the first drawing I did. Darth Vader, Luke Skywalker and Star Wars are all TM/R/C/etc. Lucasfilm 2012.

Lately: December 2011

In addition to doing some last minute artwork for Save The Date and teaching at SAIC, I've mostly been working on A Matter Of Life, the next autobiographical book which has stories mostly about fatherhood and religion. Here's part of a cover design sketch on the top left. On the top right is part of my drawing for the retailer incentive cover for the first issue of Adventure Time comic book (in this month's Diamond catalogue, so order at your comic shop now). The bottom left is a drawing of Racky, based on one of John Porcellino's King Cat covers, drawn as a thanks to John for speaking to my class at SAIC. The bottom right is part of the cover to a minicomic I created in conjunction with the New Trier Literary Festival. I gave a talk to students, then had them write a comic with me - I sat and drew thumbnail pencils while they gave suggestions for what the comic should be about and what should happen next. I inked the comic at home later on and failing to think of a good title, settled on naming it after an Anders Nilsen book.

Sundance 2012!

About five and a half years ago I got an email asking if I'd ever thought about writing screenplays, and so I started working on a story. The final idea turned into a screenplay that I co-wrote with Egan Reich and Michael Mohan. The movie, Save The Date, ended up being filmed this summer, and now they've scheduled the premiere. It all feels fairly strange, but exciting.

Where I Draw

Jordan Shiveley, who runs Grimalkin Press, started a new blog displaying artist's working environments. You can see my non-coffee shop drawing space there now.

Funny Misshapen Obstruction

Once again I put my comics students through the obstruction exercise - inspired by Lars Von Trier's film The Five Obstructions, I had students re-draw a comic of theirs with some restriction specific to them. These included not using panel borders, using different materials than they normally do and limiting dialogue or text. I felt it would be only fair that they be able to give me obstructions as well. They chose to have me draw with a panel layout that wasn't a grid, use animals not people, use pastels and draw it big. They also tried to get me to draw more cars but I nixed that one. I chose to redraw this two page sequence from Funny Misshapen Body, and started out by thumbnailing a non-grid layout of how I could re-draw the pages.


I wasn't going to go buy pastels just for this, so I used colored pencils, and drew on some standard issue Dark Horse comic art board. I didn't have a lot of time to work on it, but I think it turned out okay, and more importantly it was interesting to get outside my normal comfort zone. I don't think working like this would work for me in general, and the effect of having an entire book of pages like this wouldn't feel right for my autobiographical comics, but it's something that'll probably sit in the back of my head and be of use somewhere down the road.

Busy

It's been a busy two months, most of which I've spent finishing up the artwork for my next book with Chronicle, which should be out next year for Father's Day. It's been a lot of fun to draw, but I'm glad to have most of the pressure off for it. Meanwhile, I've been teaching a comics class at The School Of The Art Institute Of Chicago again. This past week's exercise was for the students to try and duplicate a panel from a comic, and then re-draw it again in their own styles or without trying to copy directly. I did a quick example of this panel from Uncanny X-Men #192.